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有一个很有意思的现象:尽管如今大家都一致认可底座在赏石中的重要作用。如古代赏石的鉴定,更多地也是依赖于是否有原配或旧配底座。更有甚者,美国已故雕塑家、中国“文人石”收藏家理查德·罗森布鲁姆(Richard Rosenblum,1940~2000)曾表示:“木座是一个戏剧化的装置,它实际上使石头成为了艺术品。离开了木座,你会感觉石头与艺术是如此的不相像……”。尽管底座这么重要,但是,关于古代赏石底座的文献记录和图绘形象却少之又少,出土文物更是无从所见。虽然有一些传世的古代赏石,但其底座是否原配?
There is a very interesting phenomenon: Although everyone now unanimously approved the base in the stone reward important role. As ancient rock identification, but also depends more on whether the original or old base. What is more, the late American sculptor Richard Rosenblum (1940-2000), a collector of Chinese literati stone, once said: “The wooden stand is a dramatic device , It actually made the stone a work of art, and leaving the wooden block you would feel that stone is not so similar to art ... ”. Although the pedestal is so important, there are few documents on the base of the ancient ornamental pedestal. Although there are some ancient relics handed down, but the base is the original match?