《绑票》是潇湘电影制片厂的新作。影片把观众带到解放前夕的大上海,将我地下尖兵为保护爱国资本家冯先生而与绑匪、伪警、买办进行的一场错综复杂的斗争推到观众面前。结尾处,我方人员辗转于敌人的弹雨中,因送冯先生而接连倒下的一幕,着实把剧情推向高潮。然而,细细回味影片情节线索的演进,却令人感到其逻辑缺陷显而易见,以至无法用合理的想象去填补。惊险侦破片,大部以情节曲折、悬念迭起而抓住并取悦于观众。随着编导者精心设置的一个个疑团的昭然尽释,观众的情绪也为之一爽。因而凡成功之作均把悬念的“结”与“解”曲折而合理地统一起来,使观众解串连起各个片断、得以在事件的整体把握中又咀嚼着细节的余韵。但影片《绑票》于过分追求复杂的情节框架的同时,却又敷衍以省力与简单,由此形成的滞留悬念削弱了观众的共鸣,使交流趋于淡薄。如地下党的李阿强、罗飞虎在跟踪调查时,发现冯小姐出入13号门的杨某家。黑暗凄清的街上,冯小姐独自一人匆匆而行,毫无犹豫地转进门内。这画面无疑规范着观众的注意力,影响着观众的情绪与心理。然 “Kidnappers” is a new work of Xiaoxiang Film Studio. The film brought the audience to Greater Shanghai on the eve of liberation and pushed the intricacies of the underground vanguard with kidnappers, counterfeiters and compradors to protect Mr. Feng, a patriotic capitalist. At the end, our personnel were removed from the enemy’s bombs and the movie was climaxed by the successive fall of Mr. Fung. However, the evolution of cinematic cues of the subtle aftertaste makes one feel that its logical flaws are so obvious that it can not be filled with reasonable imagination. Thrilling films, most of the plot twists and turns, suspense one after another to seize and please the audience. As the editor carefully set one by one the suspect of the full release, the audience’s mood is also one of the cool. Therefore, all the successful works unify the twists and turns of the suspense and the solution so that the audience can piece together all the pieces and can finish the aftershocks of details in the overall grasp of the incident. However, the film “kidnapper”, while overly pursuing a complex plot framework, is perfunctory and labor-saving. The resulting suspension of suspense has weakened the audience’s sympathy and made the communication weak. Such as underground party Li Aqiang, Luo Feihu in the follow-up investigation, found Miss Feng out of 13 doors Yang home. Dark, desolate street, Miss Fung hurried alone, without hesitation in the door. This picture undoubtedly standardizes the audience’s attention, affecting the audience’s emotions and psychology. Of course