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张冠珑《荷花》作品的墨色很有层次,构图也好,黑白灰、点线面均有很好的素养呈现。前景的荷干勾勒,笔力稳健扎实,撇出的几笔竹叶更见潇洒。以赭色渲染的荷干显示出成熟的凝重色泽,隐藏在浓重的墨色中,尤显性格。画中墨团氤氲中有干湿浓淡,与团块的淡墨形成对比,压住了构图的阵脚。面积最大的荷叶以淡墨写出,笔触间有大家风范。淡墨施加后的干笔皴擦,增加了荷叶的质感和画面葳蕤的意境。荷叶下几个墨点,显得构图有花腔“跳音”的灵动,又使画面水气淋漓。
Zhang Guanlong “lotus” works of ink are many levels, composition Ye Hao, black and white ash, point line surface has a very good literacy. The dry outline of the foreground, steady and solid, write a few more bamboo leaves more chic. Dressed in ocher colors show a mature dignified luster, hidden in the thick ink, especially the character. In the middle of the painting, there are wet, wet and dark shades, contrasting with the lumps of light ink, suppressing the pinch of composition. Lotus leaf with the largest area to write in light ink, strokes between everyone demeanor. After the application of dry ink pen eraser rub, an increase of the lotus leaf texture and the screen 意 蕤 artistic conception. Lotus leaf under a few dots, it appears that the composition of the flower cavity “jumping sound ” clever, but also the picture dripping water vapor.