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《红楼梦》自问世以来,深受众多读者喜爱。因为受众不同,对作品的理解产生很大差异。本文试图从叙事学的角度,结合接受美学原理,分析《红楼梦》中存在的自传与非自传的争议与多重视角现象,探究作者以现实成熟之“我”追忆过去幼稚之“我”所造成的叙事游移和感伤的悲剧气氛,审视作家在叙事学上和理想追求上体现的价值取向。
“Dream of Red Mansions” since its inception, loved by many readers. Because of different audiences, there is a big difference in the understanding of the work. This article attempts to analyze the controversy and multiple perspectives of autobiography and non-autobiography existing in A Dream of Red Mansions from the perspective of narratology and in combination with the principle of accepting aesthetics, and explore the phenomenon that the author recalls the past childishness with the “I” "Caused by the narrative wandering and sentimental tragedy atmosphere, examine the writer in the narrative and ideal pursuit of the value orientation.