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工与拙为对,乃今所谓审美范畴之两大重要理念。古人已多有提及,每于作品后跋谓“不计工拙”。明清人论技法最详,着眼于求工,论拙则甚寡,或语焉不详,避难就易也。所谓工,周至精准、点画精到、工整规范、工细完满之书也。工之至,为工丽,为工巧,粤人称为“靓仔字”者,最受俗目所赏。工之后,分二途焉。工而不文,为字匠之字。工而文化,以学问文章之气化之,便有千种风流、万般奇诡,臻于大雅,绚烂之极,巧夺天工,乃成大匠之书,有历代经典之书为证。
Work and clumsy right, nowadays the so-called aesthetic category of the two major concepts. The ancients have mentioned many more, each post-commenter said “regardless of work ”. Ming and Qing Dynasties theory of the most detailed techniques, focusing on seeking employment, the theory is poor or absent-minded, evasive easy also. The so-called workers, Zhouzhi precision, fine painting, neat and standardized, fine workmanship book also. Work to the end, for the workers Lai, Gong Qiao, Guangdong called “handsome characters ”, the most popular eyes. After work, divided into two Yan. Workers without words, the word for the word carpenter. Work and culture, in order to learn the article of gasification, there are thousands of romantic, all sorts of strange, attained the elegance, gorgeous extremely, won the best, is a master of the book, the book of history as evidence.