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20世纪水墨人物画的变革和发展是非常有成就的,其中一个重要的变化就是三四十年代徐悲鸿、蒋兆和开创的写实主义新画风。周思聪是经历两个不同时期的画家,其前期的作品继承了蒋兆和的风格特点,用传统的笔墨语言直面生活;后期则用现代绘画语言切入当下现实生活,既融汇了西方现代构成艺术,同时又关注中国审美文化。本文通过对周思聪绘画历程的研究,透析出当代水墨人物画由传统向现代转型过程中所呈现出来的特征和变化。
The revolution and development of ink figures in the 20th century are very successful. One of the most important changes is the new realistic style created by Xu Beihong and Jiang Zhaohe in the 1930s and 1940s. Zhou Sicong is an artist who has undergone two different periods. His previous works inherit the style and features of Jiang Zhaoguo and use the traditional pen and ink language to face life. In the later period, he uses the modern painting language to cut into the present real life. It not only integrates Western modern art, Also concerned about Chinese aesthetic culture. Through the study of Zhou Sicong’s painting process, this paper analyzes the characteristics and changes of the contemporary ink-and-wash figure painting from traditional to modern transformation.