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集合现象从上世纪60年代起一直延续到现在,它在艺术作品中凸显出拼凑对立的新的言说方式。在艺术品自觉使用集合概念之始,就意味着集合已经成为一种诗学技术和创作策略。这种诗学技术手法的运用改变了艺术原本完整的、叙事的、有序的语言方式。
The phenomenon of assemblage has continued from the 1960s to the present. It highlights the new ways of piecing together oppositions in works of art. In the art works consciously use the concept of collection, it means that the collection has become a poetic technique and creative strategy. The application of this technique of poetics changed the original complete, narrative and orderly language of art.