从鲁迅的杂感《太平歌诀》出发,本文通过史料的梳理和分析对1928年南京拾魂恐慌进行重新解读,这种解读分别依次呈现为社会事件、政治事件、思想事件三个维度。通过这种分析,作为一个文化事件,南京拾魂恐慌在某种程度上可以说是一种标识现代性的“预示性的惊颤”。 Starting from Lu Xun’s miscellaneous sense of “Taiping song tactics”, this paper re-interprets the panic of Nanjing in 1928 through the sorting out and analysis of historical materials. The readings are respectively presented in three dimensions: social events, political events and ideological events. Through this kind of analysis, as a cultural event, the panic in Nanjing is, to a certain extent, a “predictive shock” that identifies modernity.