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苗族是我国具有悠久历史的民族，人口众多，分布广泛，根据其不同的服饰，内部又可细分为许多族群。在长期的历史进程中，各族群保持和发展着既有共性、又具自身特色的文化艺术，苗族文化的总体特征就是由各族群的文化特点汇合而成的。本文以《中国民间歌曲集成·贵州卷》所收录的２７首黔西北苗族“摞垛”歌曲为基本材料，通过对其在歌词与歌曲结构、多声组合方式、调式及音调方面的形态分析，描述了该歌种的艺术特征。文中还对记谱与调式认定的关系等方面进行了讨论。
Miao is a nation with a long history in our country. It has a large population and a wide distribution. According to its different costumes, the interior can be subdivided into many ethnic groups. In the long course of history, all ethnic groups maintain and develop the culture and art with both commonness and unique features. The overall characteristics of the Miao culture are the merging of the cultural characteristics of ethnic groups. In this paper, we use the songs of “Stacking” of Miao in the Miao in northwestern Guizhou Province, which are included in “Folk Songs Integration in Guizhou Province” as the basic material. Through the morphological analysis of the structure of lyrics and songs, multi-sound combination, Describes the artistic features of the song. The article also discussed the relationship between the notation and the mode of adjustment and other aspects were discussed.