董其昌的绘画美学思想既是明代历史背景下的特殊产物,也是明代美学思想的真实反映。总体来说,儒家和老庄的美学思想对董其昌的绘画美学思想有着深远的影响,而这和董其昌的人生经历以及当时封建社会的历史背景有着必然的联系。并且在明代,人们对美的理解产生了新的变化也是由于受到心学的影响。 Dong Qichang’s aesthetics of painting is not only a peculiar product under the historical background of Ming Dynasty, but also a true reflection of Ming Dynasty’s aesthetic thoughts. Generally speaking, Confucianism and Lao Zi-Zhuang’s aesthetic thoughts have a profound influence on Dong Qichang’s painting aesthetics thought, which has a certain relationship with Dong Qichang’s life experience and the historical background of the feudal society. And in the Ming Dynasty, new changes have taken place in people’s understanding of the United States and also influenced by their psychology.