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尤侗的戏曲尊体理论是通过肯定由“势”推动文体演变的必然性和戏曲的寄托功能这两条路径来推崇戏曲的文学地位,主张戏曲应自觉传达作者的主体精神和需求。在这样的理论指导下,尤侗的戏曲创作实践,将叙事设置与主体情感相融合,寄寓自身苦闷无路、渴求知遇等情感;同时,戏曲的人物选择与主体经历相交织,折射出清初文人彷徨的时代情绪。尤侗以具体的实践推动了戏曲文人化进程。
In particular, the theory of drama and respect the body of the opera advocates the literary status of the opera by affirming the inevitability of promoting the stylistic evolution by the “potential” and the sustenance function of the drama, and advocates that the opera should consciously convey the author’s subject spirit and needs. Under the guidance of such a theory, the drama creation practice in You Tong integrates the narrative setup with the subject emotion, sends the emotions of depression and hunger, and at the same time, the selection of characters in the opera intertwines with the subject experience, Literary mood of the times. You Dong promoted the process of cultural operas by concrete practice.