“跨太平洋诗学”是美国诗学研究跨文化转向过程中的产物,其研究范畴可以界定为美国诗歌中的东亚文化元素。费诺洛萨和庞德对中国文字及古典文学的兴趣,可以看作美国诗人对东亚文学文化研究的开端。随着研究的深入,学者们以多元方法,如民族志、翻译、互文旅行、反向诗学、虚无诗学等,推动了“跨太平洋诗学”的实践和理论的进一步发展。“跨太平洋诗学”以全新的视角确立了它在美国诗学研究中的地位,作为一种新的诗学认识论,它从整体上丰富了美国文学的内涵。 “Trans-Pacific Poetics” is a product of the cross-cultural shift in the study of American poetics. Its scope of research can be defined as the East Asian cultural element in American poetry. Fellostosa and Pound’s interest in Chinese writing and classical literature can be seen as the beginning of the study of East Asian literary culture by American poets. With the deepening of the research, scholars promoted the further development of the practice and theory of “trans-Pacific poetics” with multiple methods, such as ethnography, translation, intertextual travel, reverse poetics, nihility poetics. “Trans Pacific poetics” has established its position in the research of American poetics from a brand new perspective. As a new poetic epistemology, it enriches the connotation of American literature as a whole.