张浩文的长篇新作《绝秦书》依旧以“乡村”为叙事基点,就须应对既有书写语境施予的压力。不过,它并没有为“文学乡村”这一书写群落的叙述惯性所裹挟。通过还原现代性进程中乡村的挣扎与苦痛,《绝秦书》力求呈现出历史的未完成性与开放性,并借此来完成对乡村“神话世界”的祛魅。 Zhang Hao’s long novel, The Never-Man Book, still uses “country” as its basic point of narrative and must cope with the pressure exerted by the existing written context. However, it is not for the “literary village ” the community of narrative inertia. By restoring the struggles and pains of the villages in the process of modernity, the Never-Qin Book strives to show the unfinished and open history, and to accomplish the disenchantment of the “myth of the country” in the country.