在我国私家书画鉴藏史上,明末清初是一个重要时期。由于明末宫廷内府及私家藏品的大量散出,而清初全国尚未统一,朝廷无暇顾及大力搜求,于是清初出现了私家书画鉴藏史上的繁盛时期。而这种繁盛又如昙花一现,至乾隆时期,私家所藏源源不断流入内府。本文仅就当时特殊社会条件下,私家书画鉴藏所表现出的特点,作一初步探讨,就正于专家。一、明末清初,几经战乱,宫廷内府以 In the history of the private collection of Chinese calligraphy and painting, the late Ming and early Qing dynasties are an important period. Owing to the mass dissipation of the imperial court and private collections in the late Ming Dynasty and the unification of the whole country in the early Qing Dynasty, the imperial court did not have time to consider vigorously searching for it. As a result, there appeared a prosperous period in the history of private painting and calligraphy in the early Qing Dynasty. And this prosperous again as a flash in the pan, to the Qianlong period, a steady flow of private possession within the house. This article only on the special social conditions at that time, the private calligraphy and painting Kam showed the characteristics of a preliminary discussion, just as the experts. First, the late Ming and early Qing Dynasty, after the war, the court to the government