我是上海人,对戏曲有着深刻的感情。解决了基本生存问题后,我于2017年开了个茶馆与戏馆,每天邀几个要好的朋友来聊那些经典的戏,不为谋生,只为了为传统戏曲出一份力。经营中,我发现了一个问题,来的人永远是那几个人,大家聊聊喜欢的戏曲喜欢的角,新观众的注入并不多,就如同前一阵子由王佩瑜在逸夫的《四郎探母》“吊毛”的程式引发的微博和知乎讨论一样,参与讨论的人,来来去去其实还是那些在网络上相似的ID,戏迷跟非戏迷完全生活在 I am a native of Shanghai and have a profound feeling for the opera. After solving the basic living problems, I opened a teahouse and a theater in 2017. I invited a few good friends every day to talk about the classic drama, not to make a living, only to play a part in traditional drama. Business, I found a problem, who will always be those few people, we talked about favorite opera like the corner, the influx of new viewers is not much, just as a while ago by Wang Peiyu in Shaw’s "Si Lang exploration of the mother Like the discussion, people involved in the discussion, come and go or in fact, those who are similar in the network ID, fans and non-opera fans fully live in