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李格尔认为,是“艺术意志”推动了艺术风格的发展.因而艺术风格发展的动力来自艺术内部:他断定,艺术的进化过程是从早期的触觉阶段发展到后来的视觉阶段即希腊的触觉艺术让位于罗马的视觉艺术。从总体上看.人类视觉艺术的历史发展是从触觉的、近距离观看的知觉方式.向视觉的、远距离观看的知觉方式不断前进的历史。这些理论总结见诸于《后期罗马的工艺》。它是李格尔最富于挑战性的著作,将从古埃及艺术到后期古典艺术的历史认定为“艺术意志”从触觉的知觉方式向视觉的知觉方式转变的历史。特定时期里每一种装饰方式也必须而且能够遵循风格发展的内在规律,这种规律也就是无情地把艺术从触觉推向视觉的种种内在规律。
According to Ligel, “artistic will” promoted the development of artistic style, and thus the motivation for the development of artistic style came from within the art: He concluded that the evolutionary process of art evolved from an early tactile stage to a later visual stage, namely, Greece Tactile art gives way to the visual arts in Rome. In general, the historical development of human visual arts is a perceptual way from tactile and close-range viewing, to the continuous advancement of visual and long-range viewing. These theories are summarized in the “post-Roman process.” It is the most challenging book by Legel and identifies the history of ancient Egyptian art to that of late classical art as the history of “artistic will” shifting from a tactile perceptive way to a visual perceptive way. Each decorating method in a specific period must also and can follow the inherent law of style development, which is also the inherent law of ruthlessly pushing art from tactile to visual.