论文部分内容阅读
中国画如何由古典艺术形态向现代艺术形态转化,如何与社会同步发展,这是鲁慕迅近些年所热切关心的问题。前几年当人们争论观念更新等问题,讨论中国画的“断裂”和创新时,鲁慕迅作为更注重以自己的艺术实践来探讨中国画自身的特点和规律,他以“情”“趣”“艺术语言”为艺术理论研究重点,以诗、书、画、乐综合性创造为艺术实践环节,以观察、体验、感悟新的生活旨趣为创作基础,他
How Chinese painting transformed from classical art form to modern art form and how to develop with society at the same time is a matter of great concern to Lu Muxun in recent years. A few years ago, when people debated issues such as renewal of ideas and discussed the “rupture” and innovation of Chinese painting, Lu Muxun, as he paid more attention to exploring the characteristics and laws of Chinese painting with his own artistic practice, Art language "is the key point of art theory research. With poem, book, painting and music synthetically creation as artistic practice link, he takes creation interest as observation, experience and perception of new life as his foundation.