如果我们对上海摄影艺术中心第一年的项目规划有任何抱怨的话,那就是展览都过于“摄影”了。在刘香成这位被誉为摄影师中的摄影师主持下的展览,诸如“从颗粒到像素”、“20世纪摄影经典作品收藏展”有时感觉像是某种线性线索的图片队列,观众被冰冷而坚定地带领着穿过展厅的三堵弧面墙壁。而由凯伦·史密斯策划的“喻体·幻像”则是某种令人欣喜的喘息之机:相较之前的展览,作品的数量大幅减少,并且更富有绘画意味。称其为一个关于肖像的展览是非常 If we have any complaints about the project planning of the first year of the Shanghai Photo Arts Center, the exhibitions are too “photography”. Under the auspices of Liu Xiangcheng, a photographer hailed as a photographer, such as “From Particles to Pixel ”, sometimes the picture queue looks like some sort of linear clue , The audience was icy and determined to lead the three arc walls through the showroom. And the “Yu phantom”, curated by Karen Smith, is something of a welcome respite: a dramatic reduction in the number of paintings and a more drawing power than the previous show. Call it an exhibit about portraits very much