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对于中国当代散文的发展而言,20世纪八九十年代是非常重要的时代。“文革”结束后,在卸去为时代和人民代言的重任后,长期被忽视的“个人性”的情感、体悟和趣味等重新成为散文的内质,1980年代的散文由此开始了对人类轻盈心灵的审美表达。而1990年代以来,散文突然负载起了沉重的思想,审智成为其发展中的主导倾向。作家们不仅通过思想随笔来表达“小我”的智性见解,而且试图借助它来完成“大我”的家国责任与社会担当。不过,随笔在为1990年代散文争得光荣的同时,也在客观上为其造成了文体泛化的流弊。
For the development of Chinese contemporary prose, the 1980s and 1990s are very important times. After the “Cultural Revolution” was over, the “neglected personal ” emotion, comprehension and taste of the long neglected “personal culture” have been re-emerged into the essence of the essay after the unloading of the important task of representing the times and the people. From then on, the prose of the 1980s Beginning of the aesthetic expression of human light soul. Since the 1990s, prose has suddenly taken up heavy thoughts, and intelligence has become the dominant trend in its development. Not only do writers express “intellectual” opinions through “essay”, but also attempt to fulfill the responsibility and social responsibility of “big e” by using it. However, while essays are gaining glory for essays in the 1990s, they also objectively bring about the drawbacks of stylistic generalization.