我的雕塑之路我从小生活在国内,生长在接近乡村的地方。我的童年处于文革中后期,缺乏阅读材料,更没有电视、电脑、网络游戏,物质生活贫瘠单调,除了毛泽东像,看不到任何雕塑,因此我小时候对雕塑这个概念完全无知。然而,我却有幸接受了源自母亲、乡土生活和学校生涯的传统美育。母亲予我以民间文化传统之美的熏陶。母亲擅长剪窗花,她手中的窗花传达的是人类最本真的美。乡间成长中以泥为伴、照书临画的经历予我以孩提生活生趣之美的启蒙。时至今日,我还能清晰地记起:那时 My Path to Sculpture I grew up in the country and grew up close to the countryside. My childhood was in the middle and late Cultural Revolution. I lacked reading materials. I did not have TV, computer, online games. The material life was impoverished and monotonous. Apart from Mao Zedong, I could not see any sculpture. Therefore, when I was a kid, I was totally ignorant of the concept of sculpture. However, I have had the privilege of accepting traditional aesthetic education derived from motherhood, native life and school life. My mother nurtured me with the beauty of folk culture. My mother is good at cutting window grilles, and the window-flowers in her hands convey the most true beauty of mankind. Muddy companionship in the growth of the country, according to the experience of photocopying books to me to mention the beauty of life enlightenment enlightenment. Today, I can clearly remember: At that time