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在中国戏曲批评史上,目录体批评作为一种独立的戏曲批评文本样式,是与序文体批评、评点体批评、曲话体批评等批评样式相区别而言的。它呈现出的文本样式就是通过著录戏曲作家、作品、或对戏曲作家、作品进行评价,并且按照一定的顺序进行排列。它一般采取“以人类书”的著录体例。一、中国传统目录的体例特点在钟嗣成的《录鬼簿》出现以前,中国古代的目录书一般由“篇目、解题(书录、叙录)、小序”三大部分组成。
In the history of Chinese drama criticism, catalog criticism, as an independent version of the style of criticism of drama, is distinguished from the criticism styles such as preface stylistic criticism and commentary criticism. It presents the text style is through the record of the writer, works, or opera writers, works were evaluated, and arranged in a certain order. It generally adopts the style of “book of human beings”. I. Characteristics of the Traditional Chinese Catalog Before the advent of Zhong Si-cheng’s recorded ghost album, the ancient Chinese catalog books generally consisted of three chapters: articles, problem solving (book recording, narration) and small preface.