《红楼梦》里的宴饮场景作为小说叙事空间的一个重要组成部分,是作为实体空间的场景意象存在于小说的叙事结构之中的。空间是人物活动的空间,相应地,人物与空间的关系便成为叙事空间存在的重要表现。爬梳《红楼梦》前八十回中宴饮描写的空间建构,笔者认为,人物与空间的关系大致可以分为三种:一是人物与空间和谐共生,一是人物与空间背离对立,一是人物与空间保持中立,这三种关系分别演绎生成为和谐性空间、背离性空间和中立性空间。和谐性空间在小说叙事中往往具有象征性的含义,背离性空间常常使得小说叙事染上反讽的色彩,中立性空间则以一种客观冷淡的姿态增强了小说叙事的真实性和距离感。 Feast scenes in A Dream of Red Mansions, as an important part of the narrative space of fiction, exist as the scene images of the entity space in the narrative structure of the novel. Space is the space for the activities of characters. Correspondingly, the relationship between characters and space becomes an important manifestation of the existence of narrative space. Climbing “Dream of Red Mansions,” the first eighty back in the banquet description of space construction, the author believes that the relationship between character and space can be roughly divided into three types: First, the harmonious coexistence of characters and space, one is the separation of character and space opposition, first People and space remain neutral, these three relations were deduced into a harmonious space, from the sexual space and neutral space. Harmony space often has a symbolic meaning in fictional narration. Deviation from sexuality often leads to fictional narration, while neutral space enhances the authenticity and sense of distance of fictional narration in an objective and indifferent attitude.