在系统学习汉印的过程中,我对各式各样的汉印形式做了大量的技法分析,并且进行了深入的仿意创作。朱白相间印是到今天我还能用到创作中去的形式之一,这是缘于其形式的特殊性。有些印文文字疏密反差较大,进行普通汉印式的创作比较困难,作朱白相间形式则可以事半功倍。朱白相间印盛行于两汉,是汉印有特色的形式之一。朱白相间印的章法由印面中朱文、白文的分布格局决定。因为这种朱白反差太突 During the systematic study of Chinese and Indian, I did a great deal of technical analysis on a variety of Chinese and Indian forms, and conducted in-depth creative imitations. One of the forms that I can still use in my creation today is the fact that Zhu and Bai Yin prints are due to the particularity of their form. Some printed text density contrast larger, more difficult for the creation of ordinary Chinese and Indian, for the white and white forms can be more effective. Zhu Bai-phase printing prevalent in the Han Dynasty, is one of the characteristics of Chinese and Indian forms. Zhu Bai white seal printed by Zhu Wen, Bai Wen’s distribution pattern. Because of this too sharp contrast Zhu pale