“香港金像奖”创建20多年来,其实一直都有着笃定的美学立场,倾向于在艺术方面有突出成就和贡献的影片(2001年因影市低靡而对票房大卖的《少林足球》以多奖加以鼓励的局面怕难复现)。今年的奖项分布充分地体现了这一点。今年的“香港金像奖”其实从提名公布起,就已经清晰地显露出其不同过去几年的端倪,(《无间道》第二部与第三部里的众影帝们除吴镇宇一人外全被拒于提名名单之外)。而这种对奖像本身对公正性与权威性的坚持与不妥协笃定地坚持到颁奖晚会的结束。正是因此,我们在承受了“意外曝冷”引致的啼嘘和“实质名归”的欣慰之余,更多的应该为金像奖的坚定 “Hong Kong Awards ” Created in 20 years, in fact, has always been a confident aesthetic position, tend to have outstanding achievements in art and contribution of the film (in 2001 due to poor movie box office selling “Shaolin Soccer ”Encouraged by the multi-awarding situation is difficult to reproduce). This year’s award distribution fully reflects this point. In fact, this year’s “Hong Kong Awards” has clearly shown its clue to the different past years from the announcement of the nomination (“The Infernal Affairs” Outside all rejected outside the nomination list). And this kind of insistence on the fairness and authority of the prize like itself persists to the end of the awards show. It is precisely for this reason that we are relieved by the “crying” and “de facto return” caused by “accidental exposure” and more should be determined for the award