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钢琴是一件外来乐器,产生于三百多年前的欧洲,适应于大小调体系、三度叠置为主的的多声结合的欧洲音乐演绎的需要;适应于受到多声音乐教育,具有欧洲血统的接受群体的审美要求。显然,用钢琴来演奏中国音乐作品,必然会在演奏意识、作品理解和演奏技术、触键方法等方面产生一系列有待解决的问题。科学合理地解决这些问题,无疑将有助于中国钢琴音乐作品诠释的效率和质量,有助于更多的钢琴弹奏者掌握中国钢琴作品的演奏理念、作品内涵、风格意韵和特色技法。
Piano is a foreign instrument, originated in Europe more than 300 years ago, adapted to the needs of the multi-sounding European music interpretation based on the size modulation system and the three-time superposition. It is suitable for multi-sound music education and has Aesthetic requirements of the accepting group of European descent. Obviously, the use of the piano to play Chinese musical compositions inevitably leads to a series of problems to be solved in the aspects of performance awareness, composition understanding and playing techniques, and touch-key methods. To solve these problems scientifically and reasonably will undoubtedly contribute to the efficiency and quality of interpretation of Chinese piano music, and help more pianists master the playing concept, the connotation, the style and the special techniques of Chinese piano works.