任何一种艺术样式,都有其自身的规律。不论怎样变化,倘若我们伤害了它的规律,伤害了它的本体,就会在观众与读者中受到冷遇。戏剧也是如此。由于戏剧的不景气,迫使编导者们挖空心思地寻找新的出路。其中不乏有益、成功的探索。但有的却远离戏剧本体。诸如把其它姐妹艺术的形式改头换面地搬过来,对戏剧进行涂抹,以便获得某种新鲜感。然而却仍是门庭冷落,车少人稀,并未获得预期的效果。我想,戏剧的不景气,除了社会原因外,主要是我 Any kind of art style has its own laws. No matter what changes, if we hurt its laws, hurt its body, it will be in the audience and readers cold. The same is true of drama. Due to the drama’s downturn, directors are forced to look for new ways out. There are many helpful and successful explorations. But some are far away from the theater itself. Such as reshaping other sisters-in-the-art forms and smearing dramas in order to gain some freshness. However, it is still out of doors, few cars are rare, did not get the desired results. I think the downturn of the drama, except for social reasons, is mainly me