20世纪末的中国大陆诗歌,是以一场“民间立场”与“知识分子写作”的论争为浓重记忆而结尾的。对于这场论争,在一般诗歌公众看来:似乎是由“民间”一方率先发难,“知识分子”一方被动应战的“是非之争”、“权利之争”,且因“知识分子”一方的一些代表诗人,利用阐释空间的偏狭,在90年代的中国大陆诗坛占尽声名、立为主流,“民间”一方不免给人以“造反”、“争风”的嫌疑。同时,在急 The Chinese mainland poetry of the late 20th century ended with a heavy debate over a controversy between “civil standpoint” and “intellectual writing.” For this argument, it appears to the general public that it seems that the “wars of rights” and the “dispute of right” between the “intellectual” party and the “intellectual” Some representative poets made use of the narrower space of interpretation to make their names stand as the mainstream in the poetry circles of the Chinese mainland in the 90s. As a result, one side of the “non-governmental” party can not help but give suspicion of “rebel” or “strife.” At the same time, in a hurry