挪威的易卜生和瑞典的斯特林堡是北欧的戏剧双星,易卜生对中国现代戏剧影响深远,但是斯特林堡却并未引起足够关注。虽然20世纪30年代就有《父亲》的中文版,80年代亦有他的小说和传记出版,但中国文坛和舞台上却难以寻见斯特林堡的影子。近十来年,斯 Ibsen in Norway and Stirling in Sweden are the double stars of the Nordic drama. Ibsen has a far-reaching influence on modern Chinese drama, but Strindberg has not drawn enough attention. Although there was a Chinese version of “Father” in the 1930s and his novels and biographies were published in the 1980s, it is hard to find the shadow of Strindberg in Chinese literature and the stage. Nearly ten years, Sri Lanka