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很显然,中国人最初就感觉到漆的材料特殊性和根据功能而制造的漆器之间存在着一种超自然的关系。商代的漆器残片,已经镶嵌绿松石,贴花金箔,红彩纹饰,制作精美,而早在漆工艺形式丰富的元代,已成为中心产地的福州,工艺除一般日常的素漆外,大量的描金上彩,嵌银填彩等技法,使漆器的装饰灿烂夺目。 这古老的王国为表达漆匠的工艺和艺术创造形成一种复杂的程式,在工艺和图象之间这种原始的
Obviously, the Chinese initially felt that there was a supernatural relationship between the particularities of lacquered materials and lacquers made by function. Shang Dynasty lacquer pieces have been inlaid turquoise, decals gold foil, red color decoration, beautifully crafted, as early as the rich in the form of the paint process has become the center of Fuzhou, the process in addition to the general daily prime paint, a large number of Painted gold on the color, silver fill color and other techniques to make lacquer decoration brilliant. This ancient kingdom forms a complex program for the expression of craftsmanship and artistic creation of painters, between the process and the image