中央电视台“文化视点”正月十四那一期,讨论的话题是电视连续剧《水浒传》。改编要与原著保持怎样的关系,是忠于原著,还是加进现代人的理解,成为一个聚讼的焦点。我的观点,创作无边际,再创作还是无边际,是其中的一极。极端地讲,任何忠于原著都不可能不包含再创作,任何再创作都不可能走出原著太远。在此意义上,忠于原著与加进理解并不构成不两立的关系。因而,讨论是要忠于原著,还是要加进现代人的理解,似乎压根无必要。可是这毕竟是极端意义上得出的结论。在两极之间 CCTV “Cultural Perspective ” the first lunar January of that period, the topic of discussion is the TV series “Water Margin.” Adaptation to maintain the original relationship with what is loyal to the original, or add to the understanding of modern people, become a focus of the proceedings. My point of view, the creation of infinity, then creation or infinity, is one of the poles. To the extreme, any loyal to the original can not contain no re-creation, nor can any re-creation be too far from the original. In this sense, loyalty to the original does not constitute an irreconcilable relationship with understanding. Therefore, discussion is to be loyal to the original, or to add modern understanding, it seems that there is no need. But after all, this is the conclusion drawn in the extreme sense. Between the two poles