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前不久,在参加“戏剧与当代审美要求”研讨会时,观看了绵阳市川剧团米泽秀同志演出的十五分钟微型《情探》,十分欣喜。《情探》是川剧观众熟悉的剧目,为清末进士赵熙所写,以词藻典雅著称。其女主人公焦佳英在这里从《活捉王魁》中的“历鬼”变得来温柔敦厚、婉约深情。看样子,如采王魁肯留她“偏房自在”或“为奴作婢”,她可能就会原谅这个负心汉而不再“活捉”。被其负情尚不忘其情,被对方害
Not long ago, when attending the Symposium on the Requirements of Drama and Contemporary Aesthetic, it was very gratifying to watch the fifteen minute mini-romance performed by Miyauchi Miyagawa, a Sichuan Sichuan theater troupe. “Detective” is a drama familiar to Sichuan opera audiences, written by Zhao Xi in the late Qing Dynasty, known for its elegant Ci-poetry. His heroine Jiao Jiaying here from the “capture Wang Kui” in the “calendar ghost” has become gentle, graceful and affectionate. It seems that if Wang Kui willing to leave her “partial ease” or “slaves,” she may forgive the sorrow and no longer “alive.” Neglected by their negative emotions, victims of the other