链接文章《贾樟柯回乡》第一次去平遥是五年前,那个夏天的古城,热烈、喧闹。这次再去,或许是淡季的缘故,空气里凛冽的味道倒是像极了贾樟柯的电影画面。忍不住又把《小武》和《站台》翻出来看了一遍,那些镜头里有贾樟柯年少生活的影子,那时候他的想法就是走出去,离开那片土地,然后找一个自由职业。此后多年,这位导演一直用电影试图接近自由,只是不知道现在的他,是否在故乡重新获得了某种和解,这也是我想问贾樟柯的。为了找答案,我在平遥守了好几天,从论坛到影厅,从红毯到休息 Link the article “Jia Zhangke homecoming” The first trip to Pingyao is five years ago, that summer’s ancient city, warm, noisy. This time to go, perhaps the reason of the off-season, the smell of the cold in the air touches like a very Jia Zhangke movie screen. Can not help but again “Wu” and “platform” turned out to read it again, those lenses have Jia Zhangke young life shadow, then his idea is to go out, leave the piece of land, and then find a freelance. Since then, the director has been trying to approach freedom with a movie, just wondering whether he now has regained some kind of reconciliation in his hometown. That is why I would like to ask Jia Zhangke. In order to find the answer, I stayed in Pingyao for several days, from the forum to the auditorium, from the red carpet to rest