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近十多年来,我国戏剧演出突破写实的束缚,在迈步走向多样化方面成绩斐然,几乎在十多年时间中走完了西方将近一个世纪的历程。舞台美术在这个进程中发挥了巨大作用,一方面是广大舞美工作者勇于探索和实践,另一方面理论的活跃也是关键性的。理论探讨和争鸣不断展开,理论著作和翻译不断发表,使我们的视野为之开阔,思维为之活跃。由于工作关系我接触过一些理论文章,也曾经引起我一些思考,现在想就几个问题谈谈一些不成熟的看法。
In the past ten or so years, the theater performance in our country has exceeded the shackles of realism and scored remarkable achievements in moving toward diversification. Almost a century has passed since the West was completed in more than a decade. Stage art has played a huge role in this process. On the one hand, it is the courage to explore and practice the vast number of artists and artists. On the other hand, the activity of theory is also crucial. Theoretical discussions and controversies continue to unfold, and theoretical writings and translations are published on an ongoing basis, broadening our horizons and making our thinking active. I have also touched upon some theoretical articles due to my working relationship. I have also given some thought to myself and I now want to talk about some unhealthy views on several issues.