何焘先生的大写意文人画,别开生面自成一家。其画,兼收各家之长而不为所限,大胆变革,极具创造力。无论是人物,还是花鸟树石,皆一挥而就,一切尽在似与不似之间。先生对笔下的高士、四时花木,通过勾、皴、点、染多种笔墨形态,将牡丹之雍容、竹子之萧疏、霜菊之孤傲、寒梅之挺洁与高士孤傲清高的神韵糅合在一起,刻画得入木三分。画局中常常舒展九尺与五尺的松树和芭 Mr. He Xun’s uppercase Italian literary painting, do not be born into a family. His paintings, taking into account the length of each and every one without limits, bold change, very creative. Whether it is characters, or flowers and trees, are all waved, everything is between like and not like. The gentlemen of the writing, Siu Mu Hua Mu at the same time, through the hook, 皴, point, with a variety of ink and brush morphology, the peony grace, bamboo Xiao Shu, , Portrayed into the wood one-third. The drawing board often stretches nine feet and five feet of pine trees and paws