阿尔贝·加缪的《局外人》问世后,人们完全可以认为它满足了所有的期望:同一切有价值的著作一样,它的出版恰逢其时,不负众望,使尚未成形的意念只好作罢。从此以后,我们对谁都没什么可羡慕的了,我们也有了自己的“荒诞人”与多斯·帕索斯(Dos Passos)或斯坦贝克(Steinbeck)作品中的主人公相比,他还有着不容置疑的优势:他们是从远距离、从外部去描述的,而他却是从内部来描写的,采用的是心理学业余爱好者热衷的内省的 After Alberta Camus’s “outsider” came out, one could think of it as satisfying all expectations: just as all valuable books, it was published at the right time, out of the ordinary expectations, leaving unmade ideas to be cast. From then on we have no envy of anyone, and we have our own “Absurd” compared to the protagonists of Dos Passos or Steinbeck, Doubtful Advantages: They are described from a distance and from the outside, whereas they are portrayed internally, using introspective psychology amateurs