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诗歌话语具有极大的“独白”性,它的晦涩难解很大程度上起因于诗歌意象的任意所指与其所指的变换游移。诗歌意象摆出一副敞开的姿态,但其无限性却常常被误读为拒绝阐释的自我封闭。文章借助索绪尔语言学意义上的能指与所指概念、罗兰.巴特的符号学原理,以美国近代女诗人玛丽.奥利弗的《八月》与西尔维亚.普拉斯的《采黑莓》中的“黑莓”意象,解析了诗歌意象的必要性与充分性及其“喻指的能量”。
Poetry discourse has a great “monologue”, its obscure largely due to the poetry of any meaning and what it refers to the transformation of the shift. The poetic image assumes an open attitude, but its infinity is often misinterpreted as a self-denial that refuses to be interpreted. With the help of Saussure’s linguistic meanings and concepts, Roland Butt’s semiotics, and the “August” of American modern poet Mary Oliver and Sylvia Plath’s “ Blackberry ”in the“ blackberry ”image, the analysis of the necessity and sufficiency of the poetic imagery and its“ metaphorical energy ”.