“西画东渐”在历史上让两方的绘画得以产生碰撞,而且在之后的中国绘画发展史上的进步性是无法磨灭的,中国的绘画需在原有的继承基础之上,采取吸取接纳西方绘画的方式,而非一味排斥,吸取接纳并不代表着同化而是创新,只有在此基础之上,两方的文化才能得到更好的发展。 In the history, the “eastward spread of western painting” made the painting of both sides collide, and the progressive development in the history of the development of Chinese painting in the future could not be extinguished. The Chinese painting should adopt the original inheritance, The way of Western painting, rather than blindly rejecting them, does not mean assimilation but innovation, and only on this basis can both cultures be better developed.