春柳社的戏剧活动被视为早期话剧的出发点,而其核心人物陆镜若在创作、表演、戏剧理论等诸多方面对早期话剧的发展做出了杰出的贡献。他在日本十二年,亲身经历了日本新剧各大流派的成长和发展,这对他以后的戏剧活动产生了深远的影响。本文将考证陆镜若在日本期间的戏剧学习经历以及他的人际交往,以求为研究近代中日两国在戏剧方面的相互影响提供新的佐证。 Chunliushe’s drama activities are regarded as the starting point of early drama, and its core figure Lu Jingruo made outstanding contributions to the development of early drama in many aspects such as creation, performance and drama theory. In his 12 years in Japan, he personally experienced the growth and development of all major schools of Japanese drama. This has had a profound impact on his subsequent theater activities. This article will examine Lu Jingruo’s drama learning experience and his interpersonal interaction during his stay in Japan in order to provide new evidence for studying the interaction between the two countries in theater in modern times.