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本文站在“民族音乐融合”的跨文化研究角度,对当代尼日利亚黑人作曲家阿金·尤巴(AkinEuba)的歌剧《查卡》(Chaka)序曲No.1音乐创作中的交叉文化现象展开研究。在研究方法上,力求务实求新。文章从回顾当代黑非洲“交叉文化”形成的历史过程开始,到探讨《查卡》序曲No.1中“交叉文化”的思想体现,再通过乐曲结构、音乐材料、乐器组合以及节奏形态四方面,对这部作品所体现的“民族音乐融合”的创作特征作进一步的剖析。
Based on the cross-cultural study of National Music Convergence, this essay analyzes the cross-cultural phenomenon in the creation of the first Chaka Overture No. 1 by contemporary Nigerian black composer Akin Euba Start researching In the research methods, and strive to pragmatic innovation. The article begins with the review of the historical process of the formation of contemporary “cross culture” in Black Africa and discusses the thought expression of “cross culture” in No.1 Chazu of Chaqas. Through the composition of musical compositions, musical materials, musical instruments and rhythm From the four aspects of form, we further analyze the creative features of “National Music Fusion ” embodied in this work.