戏曲如何表演现代戏,现在认识并不一致。有人主张从传统出发,有人主张从行当出发;有的同志坚持从生活出发。我认为:从传统出发,或者从行当出发,势必妨碍演员对实际生活的了解,降低艺术的社会作用。例如,有的表导演者,在拿到剧本后,并不是对剧本的时代内容、样式、体裁、风格,人物各自独特的性格,做一番深入地、细致地、艰苦地探索,而是急欲盘算,这段戏,传统程式里哪一个表演动作可以用;哪一个角色就是传统戏里的某个角色,甚至指示演员说,这个角色要用“花脸”演,那个角色可以用“青旦”演。在舞台道白方面,简直和传统戏里的道白毫无区别。有时对传统里某个程 Opera how to perform modern drama, understanding is not the same. Some people advocate that starting from tradition, some people advocate departure from business; some comrades insist on starting from life. I think: starting from the traditional or from the business, it is bound to hinder the actors to understand the actual life and reduce the social role of the arts. For example, some watch directors, after getting the script, do not explore the script’s epoch content, style, genre, style, and character’s unique personality in an in-depth, meticulous and painstaking search but rather urgently For example, which one of the traditional routines can be used for performance; which one is a part of the traditional play, and even instruct the actor to say that this character should be played by “Hua Lian” "play. There is no difference in the way of the traditional drama when it comes to the stage. Sometimes in the tradition of some way