“古人用笔,妙有虚实。所谓画法,即在虚实之间。虚实使笔生动有机,机趣所之,生发无穷。”即通过描绘形形色色、变化无穷、虚实相生的画内之象引出“生发无穷”的画外之境。唐诗也是如此,描写诗中虚实相生的“实境”是为了诱发读者想象,引发实境外“生发无穷”的虚境,形成浑融一体的独特意境,其间蕴含着诗人的特定情思。唐诗注重意境。意境,顾名思义,“意”就是情意,就是主观的思想感情;“境”就是境界, “The ancients used the pen, there are wonderful realities and so-called painting method, that is, between the actual situation and the actual situation so that the pen vivid, fun, and infinite hair. ” That is, by depicting all kinds of color, infinity, Like lead to “endless hair ” of the painting environment. The same is true of the Tang poetry, the description of poetic reality of the “reality” is to induce the reader imagination, lead to real “outside” the virtual environment, forming a blend of unique artistic conception, which contains the poet’s specific feelings . Tang poetry pay attention to mood. Artistic conception, as its name suggests, “meaning ” is the emotion, is the subjective thoughts and feelings; “environment ” is the realm,