对水彩的理解,借用19世纪英国水彩画家与理论家拉斯金所说:“水彩在画家的处理下,水滴和它明快性质所形成的幻想与造化、溅泼的痕迹、凝结的色块以及斑斑的粒状虽然对于画面的表现没有什么意义,但由它偶然产生的梦境似的造化、清新的趣味、明丽的色调与松柔的感觉,是其他材料所没有的”。水彩以水为媒,以水载色,以水溶色,以水渍色,以水破色,色随水走,色跟笔动,最终达 The understanding of watercolor, borrowed 19th-century British watercolorist and theorist Ruskin said: "Watercolor painter’s treatment, the water droplets and its crisp nature formed by the illusion and good luck, splashed traces of condensation of color And the streaky grainy Although the meaning of the screen is meaningless, but by its occasional dreamlike creation, fresh taste, bright colors and soft feeling, is not the other materials . Water as a medium, water-borne color, water-soluble color, water stain color, broken water color, color with the water, color with the pen movement, and ultimately up