汲取陕南民间文学的丰富营养我在进入歌剧创作的准备阶段,除过接触大量的民间小戏之外,还搜集了大量的陕南民间故事和民间歌谣。《吹鼓手招亲》、《戏班子断案》、《红梅岭》、《牛倌奇遇》等戏中的剧诗,有很大一部分是从陕南民歌、山歌中顺手拈来的。第三个问题,我想介绍一下陕南民间歇谣,并讲讲我借鉴、汲取陕南民间歌谣的体会。陕南民间歌谣(民歌、山歌)遗产浩瀚如烟海,正如一首民歌所唱的“抓把芝麻撂过河,山歌还比牛毛多,唱了三天零三夜,还没有唱完个牛耳朵。”陕南民间歌谣可分为民歌和山歌(又称茅山歌)两大类。民歌部分包括红色山歌、船家歌、樵歌、猎歌、“背老二”歌、哭嫁歌、孝歌、采茶歌、(?)秧歌(又称“锣鼓草”)、吆猪 Drawing on the rich nutrition of Southern Shaanxi folk literature I entered the preparatory stage of opera creation. In addition to contacting a large number of folk operas, I also collected a large number of Southern Shaanxi folk tales and folk songs. A great part of the drama poems such as “Drums and Brothers”, “Breaking the Boxing Stories”, “Hongmeiling” and “The Cataclysms” play a large part from the folk songs and folk songs in southern Shaanxi. The third question, I would like to introduce the southern Shaanxi folk rumor, and talk about my experience, learn from southern folk songs. South Shaanxi folk songs (folk songs, folk songs) the vast expanse of heritage, as a folk song “catch the sesame paste across the river, folk song more than Niu Mao, singing three days and three nights, have not sing a cow Ears. ”Southern Shaanxi folk songs can be divided into folk songs and folk songs (also known as Maoshan songs) two categories. Folk songs include red folk song, ship song, firewood song, hunting song, “back second” song, crying song, filial piety, tea picking song, (?) Yangko (also known as “percussion”),