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影像文化志是用影像语言完成对于文化的记录,是人类文化研究的一种范式。在文化志的研究中,研究者有着“局内人”和“局外人”之分,本文先阐述局外人与局内人的定义,通过分析纪录片影像文化志中的主位立场的局内人与客位立场的局外人两方面,阐述如何从局内人和局外人的角度看待文化,以达到追求纪录片影像文化的客观性、科学性的目的,使我们更好地把握纪录片影像文化志制作过程中的主动性,达到专业性和艺术性的统一。
Image culture is the use of video language to complete the record of culture is a paradigm of human culture. In the study of cultural studies, the researcher has the distinction between “insider” and “outsider”. This article first elaborates the definition of outsider and insider, and analyzes the insider and passenger position of the thematic position in documentary culture Of outsiders, elaborating on how to look at culture from the perspective of both insiders and outsiders so as to achieve the objectivity and scientificalness of pursuing the documentary film culture, so that we can better grasp the initiative in the process of making documentary film culture and make it professional Sexual and artistic unity.