影片这一艺术作品的各种形象是在画面与声音(语言和音乐)的统一(综合)当中表现出来的,它通过造型形式而获得物质上的完成。因此,М·齐阿乌列里作出这样的论断是极正确的,他认为:「影片的整个形象结构、情节发展的顺序、在一定物质环境中进行的动作,都应当在导演的想像中,在他的创作的意识中作为一整套连贯的绘画的处理产生出来。」(「苏联电影艺术中的技巧问题」,苏联国家 The various images of the film, a work of art, are manifested in the unification (synthesis) of the picture and the sound (language and music), and are physically fulfilled through the form of the form. Therefore, it is extremely correct for M. Chiat Ulriaris to make such an assertion: “The entire image structure of the film, the sequence of the plot development and the actions to be taken in a given physical environment should all be reflected in the director’s imagination, In the consciousness of his creation, as a coherent set of paintings. ”(“ The Art of Skill in Soviet Cinema Art, ”The Soviet Union