二人转艺术在叙事空间上打破了戏剧表演“第四堵墙”的限制,利用独特的含有民间风情的背景设置、运用和观众的互动、对自我的嘲讽解构、对他者的戏谑反讽,最大限度地延伸了叙事空间的心理文化暗示、象征的叙事功能。另一方面,这种都市情境下的乡野空间类像,也使得二人转艺术存在着艺术边界模糊化、表演程式化等艺术发展危机。 In the narrative space, the two-person art breaks the restriction of the theatrical performance and the “fourth wall” in the narrative space. It makes use of the unique background setting with folk customs, uses the interaction with the audience, deconstructs oneself, ridicules the other, Maximizes the psychological and cultural implications of narrative space, the symbolic narrative function. On the other hand, the image of rural space under this kind of urban situation also makes the two-person art have the crisis of art development such as the blurring of artistic boundaries and stylization of performance.