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自上世纪八十年代开始,中国动画就迈上了朝民族化方向逐步发展的道路,从动画主体、角色、场景,到色彩的设计,都开始注重表示中国传统文化中的元素,这也使得动画界在近些年形成了一种名为“中国动画学派”的新流派。但外国动画的迅猛发展,使得中国动画面临着非常严重的冲击。对此,本文以动画电影《大鱼海棠》为立足点,通过分析其中对中国传统文化中各项元素的应用,以期可以推动中国动画电影的发展奠定良好的基础。
Since the eighties of last century, Chinese animation has embarked on a path of gradual development toward nationalization. From the animation subject, the role, the scene and the design of color, the Chinese animation has begun to emphasize the elements of Chinese traditional culture. This also makes In recent years, the animation industry has formed a new genre called “Chinese Animation School.” However, the rapid development of foreign animation makes Chinese animation face a very serious impact. In this regard, this article based on animated film “Big Begonia”, by analyzing the application of the various elements of Chinese traditional culture, in order to promote the development of China’s animation film and lay a good foundation.