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近期以来,在大量农村题材的影片中出现了几部令人耳目一新的作品,其中荣获政府大奖的《被告山杠爷》是较突出的,看后让人感到激动不已。它没有那套令人生厌的虚假摸式和对具体政策的简单迎合及图解,而是通过影片主人公山杠爷的人生轨迹透射出对我国历史尤其是广大农村历史的深刻反思,揭露和鞭挞了那些至今仍影响着我们生活的形形色色的封建宗法观念及精神桎梏,仅就这层意义说来,这部影片的创作群体,艺术家们的胆识和才气是令人敬佩的。
Recently, there have been some refreshing works appearing in a large number of rural theatrical films. Among them, the “Grandmaster Defendant”, who won the government award, is more prominent, and it makes people feel very excited. It lacks the bastardly false method and simple catechism and illustration of specific policies. It reveals and lashes through the life trajectory of the protagonist Shan Shan Ye, a profound reflection on the history of our country, especially the vast rural areas. Those feudal patriarchal attitudes and spirits that still affect our lives today are only admiring. In this sense, the creative groups and the courage and talent of the artists are admirable.