论文部分内容阅读
新中国戏剧运动的先行者张庚关于歌剧创作写过一篇长文,其中有这样一段描述令人印象深刻:创作歌剧,好比捏面人,你是一个能掌握现实的,你就能把你的材料捏成你所需要的形象,如果你根本没有掌握住现实,你就是有许多材料也捏不成一个形象。2016年7月,国家大剧院为纪念长征胜利80周年隆重上演了原创歌剧《长征》,全剧以红军长征途经的地名谋篇布局,共计六幕九场:第一幕瑞金,第二幕湘江,第三幕遵义,第四幕泸定桥,第五幕雪山草地,
Zhang Geng, the forerunner of the new Chinese theater movement, wrote a long essay on opera creation, in which it is impressive to write that opera is like noodles, that you are a master of reality and that you can put your If you do not grasp the reality of the material, you have a lot of material but also can not pinch an image. In July 2016, the National Grand Theater staged a grand opening of the original opera “Long March” to mark the 80th anniversary of the victory of the Long March. The entire play was organized according to the names of the places where the Red Army marched for a long time. There were six scenes and nine games in total: Ruijin in the first act, , The third act Zunyi, the fourth act Luding Bridge, the fifth act Snow Mountain grassland,