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自纪录片诞生以来,它就不是一种封闭的创作领域,而是在变革和进化当中不断打破人们对其原有的认知。在这一过程中,纪录片的边界也逐渐被拓宽。特别是近年来,新媒体环境下的动画纪录片创作在影像领域占据越来越重要的位置。此时,从影像本体论的角度对动画纪录片展开探讨,将其放置在纪录片普遍性表达的向度当中,无疑能够为我们重新认识、理解纪录片提供一种新的思路,使我们能够更加趋近于纪录片这一影像体裁的本质所在。
Since the birth of the documentary, it has not been a closed field of creation, but constantly breaking the people’s perception of it in the course of change and evolution. In the process, documentary boundaries have also been gradually broadened. Especially in recent years, the creation of animated documentary in the new media environment occupies an increasingly important position in the field of video. At this moment, discussing the animation documentary from the perspective of the ontology of the image and putting it in the orientation of the general expression of the documentary undoubtedly can provide a new idea for us to re-understand and understand the documentary, so that we can get closer The essence of documentary film genre lies.